| “像”与印度佛教雕刻艺术的变迁 |
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| 引用本文： | 邓超群. “像”与印度佛教雕刻艺术的变迁[J]. 青海师范大学学报(哲学社会科学版), 2005, 3(4): 91-95 |
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| 作者姓名： | 邓超群 |
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| 作者单位： | 华中师范大学,美术学院,湖北,武汉,430079 |
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| 摘 要： | 印度佛教雕刻是以各种“像”为主要载体，不同时期的“像”具有不同的风格特征，其造像依次经历“无像”，“隐像”及“有像”三个阶段；艺术风格依次经历希腊化风格、古典主义风格、巴洛克风格，印度佛教雕刻风格的形成受到佛教教义和社会环境的影响。
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| 关 键 词： | 怫陀 佛像 无像 隐像 有像 |
| 文章编号： | 1000-5102(2005)04-0091-05 |
| 修稿时间： | 2005-05-13 |
"Image" and the Changes of Indian Buddhism Sculptures |
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| DENG Chao-Qun. "Image" and the Changes of Indian Buddhism Sculptures[J]. Journal of Qinghai Normal University(Philosophy and Social Sciences Edition), 2005, 3(4): 91-95 |
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| Authors: | DENG Chao-Qun |
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| Abstract: | The figure of Indian Buddhism sculpture is" image", different character in different period, it had lived three period inturn:"no image","conceal image","imaged",and it's art styles had lived "Graecism","classical-ism" , "baroque"art styles. these had shaped because of Buddhism and social condition. |
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| Keywords: | Buddha the figure of Buddha no image conceal image imaged |
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