| “身韵”在当代中国古典舞建构中的作用 |
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| 引用本文： | 刘柳.“身韵”在当代中国古典舞建构中的作用[J].信阳师范学院学报(哲学社会科学版),2005,25(4):64-66. |
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| 作者姓名： | 刘柳 |
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| 作者单位： | 许昌学院,艺术系,河南,许昌,461000 |
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| 摘 要： | “身韵”的建构是中国古典舞发展过程中“破其形,扬其神”的结果,在以神领形来演示“身韵”时,不乏出神入化的亮点。所以,“身韵”可以视为重新整合中国古典舞的根本方法。它从对“风格化舞蹈”内涵的把握而来,当然也会有效地涉入到“功能性训练”中去———而这正是建构者们的初衷。
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| 关 键 词： | 中国古典舞 身韵 神韵 |
| 文章编号： | 1003-0964(2005)04-0064-03 |
| 收稿时间： | 04 18 2005 12:00AM |
| 修稿时间： | 2005年4月18日 |
The position and effect of body charm on the contemporary building of Chinese classical dance forms |
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| LIU Liu.The position and effect of body charm on the contemporary building of Chinese classical dance forms[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2005,25(4):64-66. |
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| Authors: | LIU Liu |
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| Abstract: | The building of the body charm is the result of "changing its form and developing its charm" in the process of Chinese classical dance development and reaches the acme in leading the form by using the charm to demonstrate the body charm. Therefore, the body charm can be regarded as the basic method of reorganizing the Chinese classical dance. It comes from the grasp of the intension of stylized dance and is sure to get involved in the functional training effectively, which is the initial intent of those who build it. |
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| Keywords: | Chinese classical dance body charm |
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