| 独奏与欣赏散论 |
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| 引用本文： | 黄忠钊.独奏与欣赏散论[J].福建师范大学学报(哲学社会科学版),2003(1):73-76. |
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| 作者姓名： | 黄忠钊 |
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| 作者单位： | 福建师范大学音乐系,福建福州,350007 |
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| 摘 要： | 在表演艺术中，任何成功的演奏（唱）都离不开欣赏对象的合作 。本就器乐独奏表演中的选曲，练习，表演场所，受众对象等各个不同环节的特点进行分析，以阐明器乐独奏只有通过与欣赏的沟通，交流，心中时刻装有听众，才能更好完成对音乐作品的二度再创造。
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| 关 键 词： | 器乐独奏 欣赏 表演艺术 听众 |
| 文章编号： | 1000-5285(2003)01-0073-04 |
| 修稿时间： | 2002年6月14日 |
On the Instrumental Solo & Appreciation |
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| HUANG Zhong,zhao.On the Instrumental Solo & Appreciation[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2003(1):73-76. |
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| Authors: | HUANG Zhong zhao |
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| Abstract: | In performing art, no successful playing or singing are dispensable of the co operation with the mainbody of appreciation. In this thesis, author makes in depth analysis on the choice of music, practice, and performing location as well as the characteristics of appreciating object, in order to illustrate that, only through effective communication and inter act between the player and the apppreciating object, can the second time re creation of music work be accomplished. |
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| Keywords: | Instrumental solo appreciation performing art audie |
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