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庄子美学精神与古代山水画
引用本文:林可济. 庄子美学精神与古代山水画[J]. 福建师范大学学报(哲学社会科学版), 2007, 0(3): 109-115
作者姓名:林可济
作者单位:福建师范大学公共管理学院,福建,福州,350007
摘    要:先秦道家推崇"道",把它作为哲学的最高范畴.庄子将老子对外部世界"道"的关注,转移到对个体内在自由的要求.因此,有人把庄学实质说成是美学,是最恰当不过的.魏晋"玄学"实质上是道家思想的发展,并以庄学为中心的.玄学与佛学也是相通的.老庄哲学思想,尤其是庄子的审美精神,对中国古代绘画的产生与发展有着深远的影响.

关 键 词:庄子哲学  审美精神  魏晋玄学    山水画
文章编号:24513331
修稿时间:2006-10-10

Zhuangzi''''s Aesthetics and Ancient Chinese Landscape Painting
LIN Ke-ji. Zhuangzi''''s Aesthetics and Ancient Chinese Landscape Painting[J]. Journal of Fujian Normal University(Philosophy and Social Sciences Edtion), 2007, 0(3): 109-115
Authors:LIN Ke-ji
Affiliation:Public Administration College, Fujian Normal University, Fuzhou 350007, China
Abstract:Taoists in pre-Qin period canonized Tao and regarded it as the pinnacle of philosophy but Zhuangzi's shifted from Laozi's focus on the Tao of exterior world to his concern on the individual's inner desire for freedom.Therefore,it can't be more appropriate to say that the essence of Zhuangzi's philosophy is aesthetics.The metaphysics in the Wei and Jin Dynasties was actually evolved from Taoism with Zhuangzi's philosophy at its core.It has a lot in common with Buddhism.Zhuangzi's philosophy,especially his aesthetics,has exertedfar-reaching influence on development of ancient Chinese painting.
Keywords:Zhuangzi's philosophy  aesthetics  metaphysics in the Wei and Jin Dynasties  Buddhism  Chinese painting
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