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异域同声:女性真实声音的体现
引用本文:孙海芳. 异域同声:女性真实声音的体现[J]. 商丘师范学院学报, 2007, 23(4): 22-25
作者姓名:孙海芳
作者单位:商丘师范学院,文学院,河南,商丘,476000
基金项目:河南省教育厅人文社会科学基金
摘    要:日记体、书信体小说本质上都属于“自我言说”的书写形式。女性以日记、书信的形式进入文学世界,写下自己的情感体验,记述女性的心路历程,充满了女性真实的声音。丁玲与艾丽丝.沃克分别采用了日记体、书信体,让莎菲、西莉作为话语主体去言说,让女性真实的声音通过叙述人的发话而充塞全篇。女性作为主人公与叙述人,两个主体通过女性真实的声音融为一体。女性作为话语主体,构成了对男权话语、对女性生存压抑的解构,同时实现了女性对父系文明历史关于女性规则的重新语义化。

关 键 词:女性书写  女性声音  话语主体
文章编号:1672-3600(2007)04-0022-04
修稿时间:2006-11-12

One Voice in Two Countries: Representation of the True Voice of Females
SUN Hai-fang. One Voice in Two Countries: Representation of the True Voice of Females[J]. Journal of Shangqiu Teachers College, 2007, 23(4): 22-25
Authors:SUN Hai-fang
Abstract:Novels in diary form and letter forms are both novels of the form of "self-narration." The females enter the world of literature by recording their emotional experience and the psychological process of females which are full of the true voice of women.Ding Ling and Alice Wolker have made Sa Fei and Shily the subjects of discourse and filled the novels with true voices of females by the speeches of the heroines in form of diary and letters.The females act both as the heroines and narrators and the two melted into one through the true voice of females.Females deconstructed the right of speech of the male and the constraint of the female existence,and meanwhile the females re-defined the rules of females in patriarchal society.
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