| 从篇目组合看《乐记》美学理论体系的建构 |
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| 引用本文： | 王琴.从篇目组合看《乐记》美学理论体系的建构[J].五邑大学学报(社会科学版),2005,7(4):67-70. |
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| 作者姓名： | 王琴 |
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| 作者单位： | 中山大学,中国语言文学系,广东,广州,510275 |
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| 摘 要： | 在特定思想文化与思维方式的影响下，《乐记》篇目组合展现出对乐关学理论较为清晰的逻辑梳理。乐的义理分析与技艺总结双重组合的总体构架，体现出诗、乐、舞艺术分类理论认识的觉醒，以及乐的本质、功能分析与审美接受分析的完整衔接。
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| 关 键 词： | 《乐记》 篇目组合 理论体系 |
| 文章编号： | 1009-1513（2005）04-0067-04 |
| 收稿时间： | 2004-10-22 |
| 修稿时间： | 2004年10月22 |
The Construction of the Aesthetic System in "Records of Music" Viewed from its Combination of Pieces |
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| WANG Qin.The Construction of the Aesthetic System in "Records of Music" Viewed from its Combination of Pieces[J].Journal of Wuyi University(Social Sciences Edition),2005,7(4):67-70. |
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| Authors: | WANG Qin |
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| Abstract: | Influenced by a specific ideological culture and mode of thinking,the combination of the pieces in "Records of Music" reveals a clear logic understanding and control of aesthetic theory.Its overall structure of dual combination of theoretical analysis of music and summing up of musical skills reflects consciousness of the theoretical classification of poetry,music and dancing and the perfect linking between the analysis of the nature,function of music and the analysis of aesthetic receiving. |
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| Keywords: | Records of Music combination of music pieces theoretical system |
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