论艺术语言的产生是感知觉变异的结果--艺术语言产生的心理分析之三

感觉和知觉是事物作用于人的感官产生的感性认识，它们保存了人的未经加工的原初经验，这为表现无限丰富的人类情感提供了可能。但艺术语言的产生并不是对人的感觉和知觉的简单复写，艺术语言的产生往往是感觉、知觉变异(包括错觉、联觉)的结果。当人们用语词去描摹人的感知觉的细微变化时，语言符号能指和所指的关系发生变化，语词由概念转化为形象——为了在语言层面上与感知觉获得的信息保持符号编码的一致性，语词也必须是形象化的，而不是抽象的概念。由于概念语词的形象化，语义突破原有语词概念内涵的限制，产生了新义、歧义、附加义。

The creation of artistic language resulting from the variation of sensation and perception The psychological analysis of creating artistic language(3)

Sensation and perception are a sensible cognitionwhen objective things act on sense organs, and they both conserve the original human experience in the log. This makes it possible to express the human infinite and abundant feelings. However, the creation of artistic language does not simply copy human sensation and perception, and often, it is the result of the variation of sensation and perception (including misperception and association). When the wispy variety of human sensation and perception being described in word, the relationship between the signifiantand the signifier of lansign is changed, and notions are visualized. That is, in order to keep the consistency of symbolic coding of information gained from sensation and perception on the lingual layer, words must be visual but not pure conception. Because of the visualization of conception, the lexical meaning breaks through the intrinsic limit of its connotation, and thus, produces semantic addition and ambiguity.