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异化的隐喻:田园剧与狂想曲——析霍桑《福谷传奇》中的文化哲学思想
引用本文:吉梅玉. 异化的隐喻:田园剧与狂想曲——析霍桑《福谷传奇》中的文化哲学思想[J]. 遵义师范学院学报, 2012, 14(4): 30-33
作者姓名:吉梅玉
作者单位:西安外国语大学,陕西西安,710061
摘    要:《福谷传奇》是霍桑以19世纪40年代布鲁克农场为原型,承袭欧洲文学中的传统田园剧“曲调”,谱写的一首探寻美国工业化进程中乌托邦式的社会改革“狂想曲”。小说以独特的审美观、敏锐的洞察力以及隐喻的手法,诠释了科学技术进步对自然的征服进而导致人与自然的异化,反思工业文明给人造成的影响。同时,小说也折射出作家表达美国政治和经济的特殊话语方式。

关 键 词:霍桑  田园剧  乌托邦  异化

Alienated Metaphor:Pastoral Drama and Rhapsody
JI Mei-yu. Alienated Metaphor:Pastoral Drama and Rhapsody[J]. Journal of Zunyi Normal College, 2012, 14(4): 30-33
Authors:JI Mei-yu
Affiliation:JI Mei-yu(Xi’an International Studies University,Xi’an 710061,China)
Abstract:Taking the Brook farm in the 1840s as the archetype and adopting the "melody" of traditional pastoral drama in the European literature,Nathaniel Hawthorne composed Blithedale Romance in which people sought the utopian social reformation in the process of industrialization of America.By means of unique esthetic taste,astute insight and metaphorical skill,the author of this novel expounds the alienation between man and nature as a result of the subjugation of science upon nature and ponders over the influence exerted by industrialization upon man.Meanwhile,the novel also reflects the special discourse,by means of which the author expresses American politics and economy.
Keywords:Nathaniel Hawthorne  pastoral drama  Utopia  alienation
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