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论莫高窟晚唐第9窟探筹图非投壶图
引用本文:胡同庆,宋琪.论莫高窟晚唐第9窟探筹图非投壶图[J].家教指南,2011(5).
作者姓名:胡同庆  宋琪
作者单位:敦煌研究院编辑部;广州博物馆;
摘    要:对于莫高窟晚唐第9窟主室中心柱南侧平顶画面内容,虽然早已有学者考证为密迹金刚力士经变,但之后另有学者则长期多次将其中探筹的画面定名为投壶图。本文通过大量文献记载与图像对照,认为应该将该画面定名为探筹图或抽签图。

关 键 词:莫高窟  第9窟  探筹图  投壶图  

On the Scene of Drawing Lots in the Later Tang Cave 9 at the Mogao Grottoes
Authors:HU Tongqing  SONG Qi
Institution:HU Tongqing1,SONG Qi2(1.Editorial Department of Dunhuang Academy,Lanzhou,Gansu 730000 2.Guangzhou Museum,Guangzhou,Guangdong 510040)
Abstract:The painting on the flat ceiling to the south of the central pillar in the Later Tang Cave 9 at the Mogao Grottoes has long been identified as illustrating Vajradhara.However,some scholars have identified the scene in that illustration as throwing pots rather than drawing lots.A comparison of the documents and the images suggests that this scene should be identified as 'a scene of drawing lots rather than throwing pots.
Keywords:Mogao Grottoes  Cave 9  Scene of drawing lots  Scene of throwing pots  
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