| 有用与无用:方鸿渐形象思想文化意蕴评析 |
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| 引用本文： | 杨剑. 有用与无用:方鸿渐形象思想文化意蕴评析[J]. 商丘师范学院学报, 2003, 19(6): 31-32 |
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| 作者姓名： | 杨剑 |
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| 作者单位： | 商丘师范学院,高教研究室,河南,商丘,476000 |
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| 摘 要： | 《围城》是对20世纪三、四十年代海派文学道德寻问一支的提升与改写,方鸿渐是都市世俗漩流中仅有的一点道德的血脉。方鸿渐之所以逃避自我生命实现的责任即自由,一是因为其对现代以来荒诞与虚无的病态人生的消极认同,二是因为其受到了中国传统文化消极面的渗透、影响。
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| 关 键 词： | 方鸿渐 文化意蕴 《围城》 道德寻问 病态人生 人物形象 |
| 文章编号： | 1008-2662(2003)06-0031-02 |
| 修稿时间： | 2003-01-28 |
The Useful and the Useless- An Analysis On Fang Hong jian's Image, Thought, and Cultural Implication |
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| YANG Jian. The Useful and the Useless- An Analysis On Fang Hong jian's Image, Thought, and Cultural Implication[J]. Journal of Shangqiu Teachers College, 2003, 19(6): 31-32 |
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| Authors: | YANG Jian |
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| Abstract: | The novel"The Besieged City"is the sublimation and rewriting of the Moral Questioning,a branch of Shanghai Literature School in 1930s to 1940s. Fang Hongjian is the only one with some moral blood in the swirl Of social conventions. There are two reasons why Fang Hongjian escapes from the realization of his true self, that is,escaping from freedom;one is his negative identification of the fantastic and illusionary life attitude,and another is the negative influence of the traditional Chinese culture. |
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| Keywords: | The Besieged City Fang Hongjian moral questioning escape from freedom |
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