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8. TELECOMMUNICATIONS AND INFORMATION
Authors:Bruce A. Austin  Eleanor Block  Chris Sterling  Robert Huesca  Gary R. Edgerton
Abstract:ON THE HISTORY OF FILM STYLE by David Bordwell (Cambridge: Harvard University Press, 1997‐$60.00/24.95, ISBN 0–674–63428–4 hard, 0–674–63429–2 paper, 322 pp., photographs, chapter notes, index)

MASKED MEN: MASCULINITY AND THE MOVIES IN THE FIFTIES by Steven Cohan (Bloomington: Indiana University Press “Arts and Politics of the Everyday,”; 1997‐$39.95/8.95, ISBN 0–253–33297–4 hard, 0–253–21127–1 paper, 376 pp., photographs, selected filmography, chapter notes, references, index)

THE EXPLODING EYE: A RE‐VISIONARY HISTORY OF 1960s AMERICAN EXPERIMENTAL CINEMA by Wheeler Winston Dixon (Albany: State University of New York Press “SUNY Series, Cultural Studies in Cinema/Video,”; 1997‐$57.50/18.95, ISBN 0–7914–3565–2 hard, 0–7914–3566–0 paper, 250 pp., photos, bibliography, index)

THE KING OF THE MOVIES: FILM PIONEER SIEGMUND LUBIN by Joseph P. Eckhardt (Madison, NJ: Fairleigh Dickinson University Press, 1997‐$55.00, ISBN 0–8386–3728–0, 286 pp., B&;.W photos, notes, bibliography, index)

WITHIN OUR GATES: ETHNICITY IN AMERICAN FEATURE FILMS, 1911–1960: AMERICAN FILM INSTITUTE CATALOG edited by Alan Gevinson (Berkeley: University of California Press, 1997‐$150.00, ISBN 0–520–20964–833, 1571 pp., abbreviations list, indexes, bibliography)

FRAME BY FRAME II: A FILMOGRAPHY OF THE AFRICAN AMERICAN IMAGE, 1978–1994 by Phyllis R. Kotman and Gloria J. Gibson (Bloomington: Indiana University Press, 1997‐$49.95/29.95, ISBN 0–253–33280‐X hard, 0–253–21120–4 paper, 771 pp., bibliography, indexes)

FILMMAKERS AND FINANCING: BUSINESS PLANS FOR INDEPENDENTS by Louise Levison (Boston: Focal Press, 1998 [2nd ed.]‐$22.95, paper, ISBN 0–240–80300–0, 190 pp., tables, index)

FEMINISM, FILM, FASCISM: WOMEN'S AUTO/BIOGRAPHICAL FILM IN POSTWAR GERMANY by Susan E. Linville (Austin: University of Texas Press, 1998‐$30.00/14.95, ISBN 0–292–74696–2 hard, 0–292–74697–0 paper, 208 pp., photos, chapter notes, bibliography, index)

THE MOTION PICTURE MEGA‐INDUSTRY by Barry R. Litman (Boston: Allyn &; Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–20026–5, 321 pp., charts, tables, notes, references, index)

FROM HEADLINE HUNTER TO SUPERMAN: A JOURNALISM FIL‐MOGRAPHY by Richard R. Ness (Lanham, MD: Scarecrow Press, 1997‐$89.50, ISBN 0–8108–3291–7, 787 pp., references, appendices, black‐and‐white photographs, index)

Chile v/s Hollywood / CHILE vs HOLLYWOOD by Daniel Olave (Santiago, Chile: Editorial Grijalbo, 1997‐no price available, ISBN 956–258–051–2, 208 pp., photographs)

TRIANGULATED VISIONS: WOMEN IN RECENT GERMAN CINEMA edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow (Albany: State University of New York Press “SUNY Series in Feminist Criticism and Theory,”; and “SUNY Series, Cultural Studies in Cinema/Video,”; 1998‐$65.50/21.95, ISBN 0–7914–3717–5 hard, 0–7914–3718–3 paper, 290 pp., photos, chapter notes, index)

FILM AND THE NUCLEAR AGE: REPRESENTING CULTURAL ANXIETY by Toni A. Perrine (New York: Garland “Garland Studies in American Popular History and Culture,”; 1998‐$68.00, ISBN 0–8153–2932–6, 304 pp., index, bibliography, chronology, filmography)

CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART by Pauline Rogers (Boston: Focal Press, 1998‐$19.95, paper, ISBN 0–240–80309–4, 223 pp.)

HOLLYWOOD'S WORLD WAR I: MOTION PICTURE IMAGES edited by Peter C. Rollins and John E. O'Connor (Bowling Green, OH: Bowling Green State University Popular Press, 1998‐$49.95/19.95, ISBN 0–87972–755–1 hard, 0–87972–756‐X paper, 304 pp., illustrations, notes, general index, film/TV index)

DOCUMENTING OURSELVES: FILM, VIDEO, AND CULTURE by Sharon R. Sherman (Lexington: University Press of Kentucky, 1998‐$22.95, paper, ISBN 0–8131–0934–5, 336 pp., photographs, filmography, chapter notes, references, index)

JAMES WILLIAMSON: STUDIES AND DOCUMENTS OF A PIONEER IN THE FILM NARRATIVE by Martin Sopocy (Cranbury, NJ: Fairleigh Dickinson University Press, 1998‐$52.50, ISBN 0–8386–3716–7, 337 pp., photographs, chapter notes, bibliography, index)

HISTORY BY HOLLYWOOD: THE USE AND ABUSE OF THE AMERICAN PAST by Robert Brent Toplin (Urbana: University of Illinois Press, 1996— 288 pp., $36.95/16.95, ISBN 0–252–02073–1, 0–252–06536–0 paper, photos, chapter notes, selected bibliography, index)
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