宋代三位女性词人文化心态新论--宋词表现的宋代女性观念之历史文化审视(二)

魏夫人的词作虽大都语言清雅秀媚,但有时也用俗语俚辞,真率直朴,天然本色,带有鲜明的民歌风调,反映出宋词庶民化的显特色。朱淑真是一位有独立人格意识和反常思维习惯的、很有艺术天赋的女性,在北宋历时近百年的思想解放和人性觉悟的学新潮后出生并成长起来的她,敢于用许多士大夫都不敢用的词来表现个人的“私情”,证明其新化人身份和反礼教的叛逆女性的形象。李清照是宋型化的标准产儿,是中唐到北宋化转型的新化观念、新价值思维所孕育的一位新型女性的代表。她在其词作中所表现的对生命激情的体验中,升华了自己对丈夫的爱,也升华了内心世界的审美的人生。

A NEW LOOK OVER THE CULTURAL PSYCHOLOGY OF THREE "CHI" POETRY WRITERS IN THE SONG DYNASTY--A Historical and Cultural Review of Feminism Shown in the "Chi" Poetry of the Song Dynasty

Most of the "Chi" poems composed by Madam Wei were characterized by elegance and grace, though colloquialism and slanguage are sometimes being used, showing the indigenity and originality of ballads and reflecting the distinctive feature of folk culture in the Song "Chi" poetry. Zhu Shuzhen was a woman with an independent and rebellious thinking, and artistic talent. Born and growing up after 100 years of emancipation of thought and awareness of humanism in literature, she was bold enough to employ words and expressions that many men of letters dared not use in order to express her "private affairs" in her poems, proving herself to be the image of a rebellious female against the traditional rites. Li Qingzhao was a standard-bearer of the Song-type culture, a representative of the new concept of the transformational culture from the Mid-Tang Dynasty to the Northern Song Dynasty. In her "Chi" poetry, she expressed her sensational experience of life, the sublimation of her love for her husband, and of the esthetic life in her inner world.