| 论钢琴曲《二泉映月》的音乐特征 |
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| 引用本文： | 于立刚.论钢琴曲《二泉映月》的音乐特征[J].信阳师范学院学报(哲学社会科学版),2004,24(5):95-97. |
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| 作者姓名： | 于立刚 |
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| 作者单位： | 信阳师范学院,艺术系,河南,信阳,464000 |
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| 摘 要： | 《二泉映月》是中国传统音乐中最具代表性的作品之一,后经储望华先生改编的钢琴曲《二泉映月》以其多声性而成为中国钢琴音乐作品的代表作之一。文章作者从钢琴曲《二泉映月》的音乐本体出发,论证其在曲式、旋法和音乐风格等方面的基本特征,并引伸出有关演奏法上的一些基本问题和探讨,试图全面解读《二泉映月》的音乐意义。
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| 关 键 词： | 钢琴曲 《二泉映月》 主题旋律 曲体结构 中国风格 |
| 文章编号： | 1003-0964(2004)05-0095-03 |
| 修稿时间： | 2004年2月2日 |
The music feature of piano tune The Second Spring Bathed in Moonlight |
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| YU Li-gang.The music feature of piano tune The Second Spring Bathed in Moonlight[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2004,24(5):95-97. |
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| Authors: | YU Li-gang |
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| Abstract: | The second spring Bathed in Moonlight,one typical representativen of traditional Cinese music,viaes was abridged ints the piano tune a trait of multiple sounds,The Seood Spring Bathed in Moonlight byChu Wang-hua.With it is regarded as one representative of chinese piano music works.from the piano tune The Second Spring Bathed in Moonlight such features as musical form,circle as wellas musical style are explored and some gueetions about instrumental performental perfomance,method are stretched and trys to completely interpret its music sense. |
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| Keywords: | piano tune The Second Spring Bathed in Moonlight theme melody tune structure Chinese style |
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