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"社会心理"理论视野下的当代审美文化现象
引用本文:吴益群."社会心理"理论视野下的当代审美文化现象[J].连云港职业技术学院学报,2004,17(3):28-30.
作者姓名:吴益群
作者单位:南通航运职业技术学院人文社科部,江苏,南通,226006
摘    要:在市场经济的社会条件下,当代审美文化被实用主义哲学思潮所驱动,呈现出具有浓厚商业气息的消费化、娱遣化、包装化、快餐化、广告化、媚俗化等特征。如果用普列汉诺夫的“社会心理”中介理论来审视,便发现这种现象的发生是社会经济规律的必然,是文艺生产适应并满足文艺消费市场的需要。但这并不意味着文艺创作的主体可以放弃主观能动向文艺消费市场投降,相反文艺家应通过对社会心理的影响力去引导市场朝着先进文化的方向发展。

关 键 词:文艺学“社会心理”论当代审美文化
文章编号:1009-4318(2004)03-0028-03
修稿时间:2003年12月12

Expounding Contemporary Phenomena of Aesthetic Culture Through the Theory "Social Mentality"
WU Yi-qun.Expounding Contemporary Phenomena of Aesthetic Culture Through the Theory "Social Mentality"[J].Journal of Lianyungang Technical College,2004,17(3):28-30.
Authors:WU Yi-qun
Abstract:Under the social condition of market economy, contemporary aesthetic culture is driven by such philosophic thought as pragmatism, which is characterized by deep commercial consumerization, amusement, packaging, fast-food, advertisement and flattery. Examined through the intermediate theory "social mentality" by Pulihannorf, the phenomenon is found to be necessity of social economic law and needs that literature and art creation should adjust to and meet its consumption market. But it doesn't mean subjects in literature creation may give up their subjectivity and activity to yield to consumption market. Instead, litterateurs and artists should pilot the market to advanced culture by influence on social mentality.
Keywords:literature and art  "social mentality" theory  contemporary aesthetic culture
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