| 论作为诗学范畴的“空” |
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| 引用本文： | 张秋婵.论作为诗学范畴的“空”[J].安庆师范学院学报(社会科学版),2005,24(2):75-79. |
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| 作者姓名： | 张秋婵 |
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| 作者单位： | 安徽广播电视大学,安徽,合肥,230022 |
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| 摘 要： | “空”作为一个诗学范畴由苏轼正式提出。它的内涵包括审美意象、审美意境和审美功能三个基本层面,其核心是“空”与“境”。就哲学渊源而言,它直接取资于佛学的空、境论,又是儒释道三家圆融合一的结果。“空”作为诗学范畴对后世文学批评产生了深远的影响。
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| 关 键 词： | 空 静 佛学范畴 苏轼 禅宗 |
| 文章编号： | 1003-4730(2005)02-0075-05 |
On the "Elusiveness" as Poetical Category |
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| ZHANG Qiu-chan.On the "Elusiveness" as Poetical Category[J].Journal of Anqing Teachers College(Social Science Edition),2005,24(2):75-79. |
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| Authors: | ZHANG Qiu-chan |
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| Abstract: | Elusivenss as a scope of philosophy first put forward by SU Shi,which has three basic aspects of esthetic image,esthetic concept and esthetic function,and the meanings of "hollowness" and concept at its core.From philosophical point of view ,it originates from Buddhism and the mixture of Confucianism,interpretationism and Taoism.As an esthetic scope,it has had a great weight on the future poetics. |
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| Keywords: | elusiveness quietness scope of Buddhist philosophy SU Shi |
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