哀婉之情,实为独绝--从文学主题史的延展新创过程看宋玉的地位

宋玉开创下的人悲秋,其自然物候与特定心态的顺接联想得以注重。在惜时、游仙、怀古等惯常主题中,宋玉也占具一席之地。宋玉从相思与游仙结合角度,为这两大主题及其融合汇集了审美能量。宋玉不再像屈原那样专注于“出”,而强调了主体虽有“出仕”的个人资质条件,却可以自我珍爱,这也是人群体自尊意识觉醒的标志。而宋玉在出处仕隐主题史上的历史贡献,由此奠定。

The Painful Is Unique--The Position of Song Yu in the Process of the New Create and Extend of Motif History

The sadness of autumn was created by Song Yu,who paid more attention to the nature and the Particular mindset of writers.Song Yu also occupied the position in the motif of cherying the time,missing the ancient and others.He no longer liked Qu Yuan who emphasized on"out",although had the "out" of personal natural intelligence term,the literature can cherish ego,and this is also the mark of the scholar's wake of community self respect consciousness.But Song Yu's contribution to the motif history was established.