| 叙事语言:《圣罗马诺之战》的图像解读 |
| |
| 引用本文： | 于安记.叙事语言:《圣罗马诺之战》的图像解读[J].江苏经贸职业技术学院学报,2012(6):35-37. |
| |
| 作者姓名： | 于安记 |
| |
| 作者单位： | 南京视觉艺术职业学院设计系,江苏南京,211215 |
| |
| 摘 要： | 运用形式美学的相关原理,解读意大利文艺复兴早期画家乌切罗所作的《圣罗马诺之战》组画,讨论作品的客观形式(情景记录)与主观形式(场面重构)的成因,重新阐释叙事结构的意义,并分析作品中隐藏的"潜在的规则"。
|
| 关 键 词： | 圣罗马诺之战 形式 叙事 |
Depiction Language: the Picture Analysis of Battle of San Romano |
| |
| Authors: | YU An-ji |
| |
| Institution: | YU An-ji(Department of Design,Nanjing Institute of Visual Art,Nanjing 211215,Jiangsu,China) |
| |
| Abstract: | The article uses some theories about modality aesthetics,analyses the Drawing named Battle of san Romano drown by the artist called Uccello during the period of early Revival of Learning in Italy.It talks about the form reasons about the impersonality modality and personality modality of the production,expatiates the meanings of depiction structure again,at the same time,it finds out the latency rules concealed in the production. |
| |
| Keywords: | Battle of San Romano modality depiction |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
