寿州窑器型之“拙”见

唐代是瓷器发展史上的一个重要阶段,在全国范围内总体上形成了“南青北白”的局面,而此时的寿州窑产品以黄釉瓷器为主要代表,其造型古朴、装饰简单,制作工艺基本延续前朝制作方式.看似古朴自然甚至有点拙的艺术风格实际上蕴含了窑工们的大智若愚的智慧与为世之道,全文是基于唐代造型意识、饮茶之风等因素来探讨寿州窑器型的“拙”.

My Opinion on The "Clumsiness" of Shouzhou Kiln Utensils

Tang dynasty was an important stage of ceramics development, forming the spectacular situation “southen green northern white” all over the country while in this period yellow glaze porcelain of Shouzhou kiln products was the main representative, with the simple shaping and decoration, craft basically deriving from the fomer dynasty. Even a bit of artistic style and clumsiness actually contains the wisdom of the workers seemingly. The whole text is based on the shaping consciousness of Tang dynasty and tea culture to discuss the “clumsiness” of Shouzhou Kiln utensils