| 试论中国现代歌剧艺术的形成与发展 |
| |
| 引用本文： | 徐瑞岳,黄健.试论中国现代歌剧艺术的形成与发展[J].徐州师范大学学报(哲学社会科学版),2000,26(2):123-126. |
| |
| 作者姓名： | 徐瑞岳 黄健 |
| |
| 作者单位： | 徐州师范大学 中文系，江苏 徐州 221009 |
| |
| 摘 要： | 源于西方的歌剧艺术，“五四”时期开始传入中国．并伴随着中国民族、民主革命的进程．在中华大地生根、开花、结果。在解放区，始终坚持民族化、大众化道路的中国歌剧，在借鉴西洋歌剧宝贵艺术经验的基础上，形成了自己独特的美学风格。从此．中国现代歌剧这枝艺术奇葩，绽放于世界艺术的百花园。
|
| 关 键 词： | 中国 歌剧艺术 形成 |
| 文章编号： | 1007—6425(2000)02—0123—04 |
| 修稿时间： | 1999年11月24 |
A Tentative Study of the Evolvement and Development of Modern Chinese Opera |
| |
| XU Rut-Yue, HUANG Jian.A Tentative Study of the Evolvement and Development of Modern Chinese Opera[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2000,26(2):123-126. |
| |
| Authors: | XU Rut-Yue HUANG Jian |
| |
| Abstract: | The art of opera, introduced to China from the west during the May 4th Movement, took root and blossomed along with the progress of the Chinese national and democratic revolution. In the liberated areas the Chinese opera, adhering to nationalism and popularization and making use of the valuable artistic experience of the western opera, formed its unique aesthetic style. From then on, modern Chinese opera, like exotic flowers, burst into bloom in the garden of the world arts. |
| |
| Keywords: | China the art of opera evolvement |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
