| 试论中国古代戏曲形神理论 |
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| 引用本文： | 马汉钦. 试论中国古代戏曲形神理论[J]. 福建师范大学学报(哲学社会科学版), 2005, 0(4): 57-60 |
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| 作者姓名： | 马汉钦 |
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| 作者单位： | 福建师范大学文学院,福建,福州350007 |
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| 摘 要： | 中国古代戏曲形神理论是其人物形象塑造理论的重要组成部分,它强调戏曲表演在形似基础上的神似,并对戏曲的传神论作出了较为详尽的理论分析,从而成为中国古代形神理论百花园中的一朵奇葩.
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| 关 键 词： | 中国戏曲 形神理论 传神 入情 立心 |
| 文章编号： | 1000-5285(2005)04-0057-04 |
| 收稿时间： | 2004-06-16 |
| 修稿时间： | 2004-06-16 |
On the Theory of China Ancient Opera Appearance-spirit |
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| MA Han-qin. On the Theory of China Ancient Opera Appearance-spirit[J]. Journal of Fujian Normal University(Philosophy and Social Sciences Edtion), 2005, 0(4): 57-60 |
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| Authors: | MA Han-qin |
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| Abstract: | The theory of China ancient opera appearance-spirit is important part of its theory of character.Sculpturing,it emphasized opera playing would rather pursue close resemblance than close appearance,and detailed analyzed close resemblance theory of opera,thereby became a wonder of the theory of China ancient opera appearance-spirit. |
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| Keywords: | China opera Theory of appearance-spirit Close resemblance Immersing Establish meaning. |
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