二十世纪五六十年代台湾新诗创作

在1950年代戒严体制下，台湾的经济、教育、文学和艺术的发展，都受到“反共复国”方针的钳制。在诗歌创作上，出现了许多反共的“战斗诗”。1950年代中期，台湾诗坛的一些诗人想打破现状，提出“新诗再革命”的口号，试图朝现代主义迈进。1960年代的台湾新诗属西方现代派狂飚突进时期。当“创世纪”为代表的激进现代主义与以余光中为楷模的温和现代主义汇成一股巨流，并生成新的典律的时候，诗坛的另一角，出现了一股反现代主义的力量，这主要以标榜乡土的“笠”诗社为代表。

New Poetry Writing in Taiwan in the 1950s and 1960s

Under a state of siege in 1950s, the development of economy, education, literature and art in Taiwan was influenced by the political suppress, and there were many ＂fighting poems＂, In the middle of 1950s, some poets in Taiwan tried to break the status quo and raised a slogan of ＂new poetry new revolution ＂ to stride forward to the modernism. In 1960s, the influence of the western modernist school hit circle of poets in Taiwan. While the radical modernistic poets with the ＂Genesis＂ as a representative figure and the mild modernistic poets such as Yu Guangzhong became mountainous waves to push forward with a new rule of writing, some anti-modernism schools appeared in another side. Among them, the ＂Straw Hat＂ was a representative one, for flaunting the banner of local color.