| 明清之际的“风雅正变”之争与陈子龙“怨刺”说辨析 |
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| 引用本文： | 张文恒. 明清之际的“风雅正变”之争与陈子龙“怨刺”说辨析[J]. 惠州学院学报, 2006, 26(4): 58-61. DOI: |
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| 作者姓名： | 张文恒 |
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| 作者单位： | 韩山师范学院,中文系,广东,潮州,521041 |
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| 摘 要： | 明清之际, 陈子龙倡导的“怨刺”精神不是“温柔敦厚”诗教的对立面, 其实正是先秦两汉以来诗歌“兴观群怨”、“风雅正变”所体现的政教功能的合理组成部分, 不是相互抵牾, 而是对立统一。
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| 关 键 词： | 正变 温柔敦厚 怨刺 统一 |
| 文章编号： | 1671-5934（2006）04-0058-04 |
| 收稿时间： | 2005-11-01 |
| 修稿时间： | 2005-11-01 |
Controversy on the Correctitude and Furor of FengYa and the Analysis of Chen Zilong'''' Resentment and Expostulation Poetry |
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| ZHANG Wen-heng. Controversy on the Correctitude and Furor of FengYa and the Analysis of Chen Zilong'''' Resentment and Expostulation Poetry[J]. Journal of Huizhou University, 2006, 26(4): 58-61. DOI: |
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| Authors: | ZHANG Wen-heng |
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| Affiliation: | Chinese Department, Hanshan Normal University, Chaozhou 521041, Guangdong China |
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| Abstract: | On the turn of the Ming and Qing Dynasties,Resentment and Expostulation Theory,which was sparkplugged by the famous poet Chen Zilong,is not in opposition to gentle spirit,but a reasonable part of the system in the Pre-Qin and Han Dynasty,which stressed strongly the effect of the political education from The Book of Songs.It was not a repugnance,but the law of unity of opposites. |
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| Keywords: | correctitude and furor gentle and generous spirit Resentment and Expostulation poetry unification |
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