| 中国当代情歌词作现状及其批判 |
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| 引用本文： | 傅培凯.中国当代情歌词作现状及其批判[J].哈尔滨学院学报,2004,25(3):83-86. |
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| 作者姓名： | 傅培凯 |
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| 作者单位： | 广西师范大学,中文系,广西,桂林,541004 |
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| 摘 要： | 歌词是情歌中传达情感的重要媒介，它以最直观、最显易的方式呈示审美意象和审美情感。歌词的社会影响力应该得到充分的重视。解放以来，特别是上世纪90年代。我国情歌歌词创作方面发生了许多重大的变化。全面分析、评价这些变化无疑对我们建设社会主义精神文明具有指导意义。
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| 关 键 词： | 审美多元性 单一化 表现技巧 |
| 文章编号： | 1004-5856(2004)03-0083-04 |
| 修稿时间： | 2003年11月12 |
Current Situation and Criticism of Contemporary Lines of Chinese Love Song |
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| FU Pei-kai.Current Situation and Criticism of Contemporary Lines of Chinese Love Song[J].Journal of Harbin University,2004,25(3):83-86. |
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| Authors: | FU Pei-kai |
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| Abstract: | Line of love song is an important media that carries feelings,which displays aesthetic images and aesthetic emotions in the most direct and oblivious way. The influence of words of songs upon society should extremely be paid attention to. Since Liberation,especially in the 1990s,a series of change has taken place in the creation of words of songs in Mainland. Without doubt,to analyze and value the change objectively will mean a great significance to guide s spiritual civilization of socialism. |
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| Keywords: | Aesthetic multiformity singleness skill of expression |
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