| 西方音乐史编纂学理论三题 |
| |
| 引用本文： | 李天义,王一卉. 西方音乐史编纂学理论三题[J]. 临沂师范学院学报, 2010, 32(1): 126-128 |
| |
| 作者姓名： | 李天义 王一卉 |
| |
| 作者单位： | 兰州大学,艺术学院,甘肃,兰州730000 |
| |
| 摘 要： | 西方音乐史编纂学的研究对象是西方音乐艺术发展的过程。对这一问题的研究关涉中国西方音乐史学的理论建设和编纂实践问题。每一个成熟的音乐史编纂者都必定有着自己的音乐史观。因此，本文所探讨的西方音乐史的本体论、认识论和方法论观念必然体现在笔者所著《西方音乐史》之中。
|
| 关 键 词： | 西方音乐史 编纂学 本体论 认识论 方法论 |
Three Theoretical Analysis of Historiography of Western Music |
| |
| Li Tian-yi,WANG Yi-hui. Three Theoretical Analysis of Historiography of Western Music[J]. Journal of Linyi Teachers' College, 2010, 32(1): 126-128 |
| |
| Authors: | Li Tian-yi WANG Yi-hui |
| |
| Affiliation: | (College of the Fine Arts, Lanzhou University, Lanzhou Gansu 730000, China) |
| |
| Abstract: | The study of Historiography ofwestem music is the process of western musical development. It is concemed with the theory construction and practice of western music history in China. Every historiographer of the history of music is sure to have their own conception. Therefore, the ontology, epistemology and metrology of the history of music discussed in this paper are reflected in The History of Western Music written by the author. |
| |
| Keywords: | the history ofwestem music historiography ontology epistemology methodology |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
