| 汉代骚体赋的情感趋向及艺术表现 |
| |
| 引用本文： | 王双.汉代骚体赋的情感趋向及艺术表现[J].唐山师范学院学报,2009,31(4):5-7. |
| |
| 作者姓名： | 王双 |
| |
| 作者单位： | 唐山师范学院中文系,河北唐山,063000 |
| |
| 摘 要： | 骚体赋是汉代文人抒情言志的重要形式。他们或以此来抒写不遇之悲、玄远之思、相思之痛，或将对时事政治的不满和帝王的讽谏规劝之意寄托期间。在艺术表现形式上，他们借鉴发展了中国古典诗歌借“香草美人”托喻，用历史、神话人物表意，以景物描写衬情等技法，使以抒写悲怨之情为主体的楚骚抒情传统得以承继发扬。
|
| 关 键 词： | 骚体赋 情感趋向 艺术表现 |
Feeling Tendency and Art Expression of Fu of Sao Style in Han Dynasty |
| |
| WANG Shuang.Feeling Tendency and Art Expression of Fu of Sao Style in Han Dynasty[J].Journal of Tangshan Teachers College,2009,31(4):5-7. |
| |
| Authors: | WANG Shuang |
| |
| Institution: | WANG Shuang (Department of Chinese, Tangshan Teachers College, Tangshan Hebei 063000, China) |
| |
| Abstract: | Fu of Sao style is the important form of feeling and ideal expression of scholars in Han dynasty. They either express the sadness of not meeting, faraway loves, pain of lovesickness or express dissatisfaction with the current affairs and the advice for the emperor. On art expression, they use ancient Chinese poem ＂vanilla and beauties＂ for analogy. They express their meaning with historical and fairy people. They describe scenery to show their feelings. So they carried on and developed Chu Sao with sadness as its main principal. |
| |
| Keywords: | Fu of Sao style tend of feeling art expression |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
