试论南唐词学思想--从花间到北宋词学思想的过渡

南唐虽是偏安江南的小王朝,却是五代时期的经济文化中心。南唐重儒学,君臣尚文雅。南唐词学活动主要集中于宫廷贵族之家,作家主要是南唐君臣。其词学思想极少有理论上的表述,主要蕴涵于词学创作之中。南唐词学思想的特点：一是词体功能意识由花问的“资羽盖之欢”转向“销魂独我情何限”的“缘情说”;二是极富个性化色彩的审美理想。在词学思想史上,南唐词学思想是由花间过渡到北宋的一个重要环节。

On Brief Thoughts of Ci-poetry in the Southern Tang--Studying On the Transition Between Huajian Style and Ci Ideology of Northern Song Dynasty

The Southern Tang was the center of economics and culture during the Five-dynasty Period, though it was a small separate kingdom in the south. In the Southern Tang, Confucianism was strictly observed and the King and officials in the Southern Tang were all interested in arts. The activity of creating Ci-poetry was mostly taken in the court and noble families, where the King and his officials indulged in it. Their ideas of Ci-poetry were seldom expressed in theoretical form, but were contained in their creation. The two main points are:Ci-poetry is rooted from passion, namely, the function of Ci-potery is transferred from "entertaining guests" to "self-indulgence"; Characteristic aesthetic ideal is embodied in their works. Their ideas played an important role in the transition of Ci from Hua Jian style to the Northern Song in the history of Ci's ideas.