| 余华:刺刀与暴力幕布的撕开--由小说《活着》到电影《活着》 |
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| 引用本文： | 薄刚. 余华:刺刀与暴力幕布的撕开--由小说《活着》到电影《活着》[J]. 哈尔滨学院学报, 2005, 26(5): 72-75 |
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| 作者姓名： | 薄刚 |
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| 作者单位： | <佳木斯大学社会科学学报>编辑部,黑龙江,佳木斯,154007 |
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| 摘 要： | 刺刀是隐藏在现实中偶一露面的真实,幕布是我们习以为常的生活,余华以他一贯的冷静风格为我们撕开了幕布的一角。电影《活着》在一定程度上修补了小说《活着》的疑问,增加了更多的现实符号。通过文化语境的重构,使阅读主体与阐释主体、作品文本共同建立了一种以“体验”为空间的同构关系。
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| 关 键 词： | 《活着》 小说 电影 体验 |
| 文章编号： | 1004-5856(2005)05-0072-04 |
| 修稿时间： | 2005-03-16 |
YU Hua: Unveiling of the Curtain of Bayonet and Violence--From the Novel "Living" to the Movie "Living" |
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| BO Gang. YU Hua: Unveiling of the Curtain of Bayonet and Violence--From the Novel "Living" to the Movie "Living"[J]. Journal of Harbin University, 2005, 26(5): 72-75 |
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| Authors: | BO Gang |
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| Abstract: | The bayonet is the reality hidden in real life which appears occasionally and the curtain symbolizes our daily life that we are accustomed to. Yu Hua unveils a corner of the curtain with his calm character. The movie "Living" responds the doubts of the novel "Living" and adds more symbols of realism to it. The relationship of simultaneous construction among the reader, the writer and the works is established based on the space of "experience" through the reconstruction of cultural contexts. |
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| Keywords: | " Living" ,novel,movie,experience, |
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