论朱光潜对新诗的理论创构

朱光潜诗学理论的起点是对于新诗＂形式失败＂的焦虑,他认为新诗在学习西方诗、旧诗、民间诗的道路上始终没有学到＂本色行当＂。朱光潜认为诗的＂本色行当＂是声音、节奏及韵律,是一种高度形式化的＂模型＂,其诗论具有浓郁的＂音律中心主义＂色彩。他提出新诗＂不在放弃格律而在于格律之中求变化＂的基本原则,号召新诗人大胆艺术实践,创造新诗的新形式,达到＂从心所愿不逾矩＂的艺术境界。

On Zhu Guangqian's Theoretic Construction to the New Poetry

The starting point of Zhu Guangqian＇s poetry theory is the anxiousness about the ＂failure in form＂ of the new poetry.He believes that the new poetry has never learned the ＂real things＂ in its process of learning from Western poems,traditional poems and folk songs.He thinks that the ＂real things＂ of poetry are intonation,syllable and rhythm,and should be a highly formalized ＂pattern＂.His poetry theory has a heavy color of ＂rhythm centralism＂.He suggested the basic principle that the new poetry ＂should not give up the rules and forms but search for change in these rules and forms＂,calling the new poets to practice bravely and create new forms for the new poetry,and finally reach the art horizon of ＂doing whatever the mind wants yet never exceed the boundary of the rules＂.