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今村昌平电影的女性主题
引用本文:周隽.今村昌平电影的女性主题[J].南通师范学院学报,2008(5):72-75.
作者姓名:周隽
作者单位:南京艺术学院,江苏南京210013
摘    要:日本著名导演今村昌平的电影创作中,女性是他关注的重点之一。他的代表作木《酋山节考》(1983)、《鳗鱼》(1997)和《赤桥下的暖流》(2001)等,通过蛇、鳗鱼等动物形象构建出今村昌平特有的映射系统,体现了日本女性人格中美好、坚韧和质朴的品质,也反映出日本民族的品性以及人性的复杂,为我们审视日本民族和人性本身提供了一个独特的视角。

关 键 词:今村昌平  日本女性  动物性隐喻

The "Female Topic" in Imamura Shohei's Films
ZHOU Jun.The "Female Topic" in Imamura Shohei's Films[J].Journal of Nantong Teachers College(Social Science Edition),2008(5):72-75.
Authors:ZHOU Jun
Institution:ZHOU Jun (College of Movie and TV, Nanjing Arts Institute, Nanjing 210013, China)
Abstract:In the films of Imamura Shohei, the female topic has been one of his major concerns. In Imamura Shohei's three representative works, namely, The Ballad of Narayama (1983), Eel (1997) and Warm Water under the Red Bridge (2001), Imamura Shohei chose snakes, eels and other animals to build his own image alluding system, whieh reflect the personality, tenacity, and the rustic quality of Japanese women and allude to the features and complexity of Japanese. His films offer a unique perspective for us to review the Japanese nation and humanity.
Keywords:Imamura Shohei  Japanese women  animal metaphors
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