植根于书法艺术的中国画视觉特性

当代中国画视觉化问题，已引起了业界广泛注意，这自然也引发了我们对传统中国画视觉特性的反思。实践证明，传统中国画视觉特性的根基是书法线条艺术，她不仅反映在气脉贯通的整体空间布势之中，而且渗透于气韵生动的骨法用笔，正是以书法艺术为基础的文化精神内质和笔墨润物无声般涵养了中国画的视觉传统特征，那种“超以象外，得其环中”的意象审美境界也就成了传统中国画视觉特性的美学核心。因此我们不能抛开传统视觉特征来另搞一套所谓视觉创新。近年来的中国画大展上，失去了以书法艺术为要根基的文化精神内涵和笔墨趣的中国画视觉的基本特性。

Visual Features of Chinese Paintings in Calligraphy

The issue of visualization of Chinese paintings has attracted a lot of attentions in the art field. It has proven that the basis for the visual features of traditional Chinese paintings is calligraphic strokes, which are reflected in the general layout as well as in the stiff using of brushes. The cultural connotation and spiritual skills of calligraphy have fostered the traditional visual features of Chinese paintings. Meanwhile, the imagistic aesthetic state has become the core of the visual features of Chinese paintings. Therefore, we cannot discard the visual features of Chinese paintings in the name of so-called visual creation. The newly emphasis on huge, intensive and full-range visual objects in some Chinese paintings actually have diverted from the basic visual features Chinese paintings in terms of cultural connotations and charms of inks.