| 从噩梦中歌吟到阳光下舞蹈--论余华的小说 |
| |
| 引用本文： | 彭正生. 从噩梦中歌吟到阳光下舞蹈--论余华的小说[J]. 淮北职业技术学院学报, 2005, 4(4): 28-30 |
| |
| 作者姓名： | 彭正生 |
| |
| 作者单位： | 安徽师范大学文学院,安徽芜湖241000 |
| |
| 摘 要： | 本文以余华对文学的本体论和认识论理解为基础分析了余华前期先锋小说和90年代转型后的小说，并探讨了它们形成的原因。最后指出了余华的文学史意义和地位。
|
| 关 键 词： | 余华 小说 本体论 认识论 |
| 文章编号： | 1671-8275（2005）04-0028-03 |
| 收稿时间： | 2005-05-20 |
| 修稿时间： | 2005-05-20 |
From Singing in the Nightmare to Dancing in the Sun--On Yu Hua''''s Novels |
| |
| PENG Zheng-sheng. From Singing in the Nightmare to Dancing in the Sun--On Yu Hua''''s Novels[J]. Journal of Huaibei Professional and Technical College, 2005, 4(4): 28-30 |
| |
| Authors: | PENG Zheng-sheng |
| |
| Affiliation: | PENG Zheng-sheng |
| |
| Abstract: | Based on ontology and epistemology, this paper analyzes Yu Hua' s pioneering novelsin the earlier stage and those after making the transition in the 1990s, probes into the reasonthat they form, and points out the significance and status of Yu Hua' s literature history final-ly. |
| |
| Keywords: | Yu Hua novel ontology epistemology |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
