论成吉思汗形象的传播和接受——以《蒙古秘史》、《元史》和《青史演义》为例

历史上的铁木真是成吉思汗形象符号化的载体,成吉思汗形象的生成、传播和定型是文化选择的结果。不同文化背景的传播者根据自己的文化需要塑造本群体理想的成吉思汗形象。从《蒙古秘史》到《青史演义》,成吉思汗由普通的人、民族英雄而成为神、仁君,成吉思汗形象由历史进入文学再进入宗教、政治,形成一个具有特定象征意味和复杂内涵的文化符号。

ON GENGHIS KHAN'S IMAGE'S SPREAD AND EMBRACE——Centered on Mongolian Secret History, History of the Yuan Dynasty and Qing Shi Yan Yi

In history Tiemuzhen was the symbolization carrier of Genghis Khan's image.The generation,spread and finalization of Genghis image is the result of the cultural choice.The spreaders with different cultural background shaped Genghis Khan's image as the ideal of their own groups in accordance with their own cultural needs.From Mongolian Secret History to Qin Shi Yan Yi,spreaders transferred Genghis Khan into god,kind and merciful monarch from an average person and national hero and spreaders introduced Genghis Khan's image into history,literature,religion,politics,forming a cultural symbol with specific symbol and complicated connotation.