| 《西游记》中的“食色”叙事形态及其文化意蕴 |
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| 引用本文： | 蔺九章. 《西游记》中的“食色”叙事形态及其文化意蕴[J]. 河北师范大学学报(哲学社会科学版), 2011, 34(5) |
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| 作者姓名： | 蔺九章 |
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| 作者单位： | 邯郸学院中文系,河北邯郸,056005 |
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| 摘 要： | 《西游记》通过食色叙事形态营构小说,即唐僧的被食被色、妖魔鬼怪的恶食恶色、猪八戒的善食善色、孙悟空的反食反色以及沙僧的不食不色,几乎整部《西游记》都是依此敷衍而成。透过人类食色的自然属性这一富于张力性的叙述来审视人性美丑,洞悉社会世相,极具中华民族审美特色和中国小说的特质,它所传达出的极幻极真、妙趣横生的审美效应,为我们提供了一套值得总结和借鉴的叙事经验。而且在怡情悦性的同时,又具有一定的社会认识作用。
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| 关 键 词： | 《西游记》 “食色”叙事 结构功能 文化意蕴 |
The narrative style of lusts and cultural implications in A Journey to the West |
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| LIN Jiu-zhang. The narrative style of lusts and cultural implications in A Journey to the West[J]. Journal of Hebei Normal University(Philosophy and Social Science), 2011, 34(5) |
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| Authors: | LIN Jiu-zhang |
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| Affiliation: | LIN Jiu-zhang (Department of Chinese,Handan College,Handan,Hebei 056005,China) |
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| Abstract: | Different characters are depicted with different lusts in A Journey to the West.The monk of Tang is attractive,monsters evil,the pig greedy,the monk of king rebellious and monk of Sha indifferent.The writing style remains the same throughout the book.The lust,therefore,mirrors the different natures of human beings and aesthetic values of Chinese fictions. |
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| Keywords: | A Journey to the West depiction of lusts structural function cultural implication |
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