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梅花意蕴流变探微
引用本文:孔英民.梅花意蕴流变探微[J].南宁师范高等专科学校学报,2005,22(2):16-19.
作者姓名:孔英民
作者单位:广西师范大学中文系 广西桂林541004
摘    要:梅花在文学中由用到色,由实到花,至确立为审美对象经历了一个漫长的过程,南朝是文人咏梅诗的始发期,此后梅花意蕴被不断开掘、丰富,至宋达到巅峰南朝至摩是宋咏梅大潮出现以前的重要积累阶段,此一时期梅花意象大致有三个意蕴占据主流:美人闺怨,文人品格,离人思愁,本文从生物、社会、文人角度等方面把握唐前梅花意蕴流变的大致历程。

关 键 词:  美人  文人  离人  意蕴
文章编号:1008-696X(2005)02-0016-04
修稿时间:2005年1月5日

The Research of the Development of the Plum Image
Kong Yingmin.The Research of the Development of the Plum Image[J].Journal of Nanning Junior Teachers College,2005,22(2):16-19.
Authors:Kong Yingmin
Abstract:Plum, first used from use to color, from fruit to flower in literature, has been through a long time to become the aesthetic target ,Nan Dynasty was the beginning for men of letters to sing of plum , after that, the plum image got developed, enriched to the summit in Song Dynasty .It is the most important increasing stage be fore the emergence of plum singing from Nan to Tang Dynasty There are about three images in this stage 'the sorrow of beauty ,the character of men of letters and the sentiment of the departer, This paper intends to analyze the process of the plum images before Tang Dynasty from the perspective of biology , society , men of letters and so on
Keywords:plum  beauty  men of letters  departer  image  
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