| 论尼采的悲剧观 |
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| 引用本文： | 熊元义,余三定.论尼采的悲剧观[J].廊坊师范学院学报,2005,21(1):1-7. |
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| 作者姓名： | 熊元义 余三定 |
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| 作者单位： | 湖南理工学院,湖南,岳阳,414000 |
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| 摘 要： | 尼采探索希腊悲剧的本质是为了最深刻地揭示希腊的创造精神的深层原因。悲剧的日神因素和酒神因素这一对立在悲剧中被扬弃而归于统一。在悲剧中，酒神因素比之于日神因素，显示为永恒的本原的艺术力量。悲剧所给人的形而上的慰籍就是现象的毁灭丝毫无损于意志的永恒生命。
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| 关 键 词： | 悲剧冲突 悲剧结局 乐观主义 |
| 文章编号： | 1671-1416（2005）01-0001-07 |
| 收稿时间： | 2005-01-12 |
| 修稿时间： | 2005年1月12日 |
On Nietzsche's Tragic Outlook |
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| XONG Yuan-yi,YU San-ding.On Nietzsche''''s Tragic Outlook[J].Journal of Langfang Teachers College,2005,21(1):1-7. |
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| Authors: | XONG Yuan-yi YU San-ding |
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| Abstract: | The purpose that Nietzsche explored the nature of Ancient Greek Tragedies focuses on the discovery of the deep causes of Greek creative spirits. The antithesis of Apollo and Dionysus is sublated and united in tragedies. Compared with Apollo, Dionysus reveals the eternal originality of arts. The consolation brought by tragedies lies in the fact that destroy of phenomenon does not damage the eternal life of will. |
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| Keywords: | tragic conflict tragic ending optimism |
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