贝多芬与他的32首钢琴奏鸣曲

32首钢琴奏鸣曲像一条红线，几乎贯穿了贝多芬一生的创作轨迹。它是钢琴工作者、学习者以及音乐欣赏者的必备。把32首钢琴奏鸣曲分成三个创作时期来研究可以更好地理解每一部作品。限于篇幅，本文仅探讨其早期作品。贝多芬钢琴奏鸣曲早期的创作。可以用继承海顿、莫扎特创作风格的基础上，逐渐形成并确立自己的创作风格来概括。其中，“悲怆”是这一时期的顶力之作。

Beethoven and His 32 Piano Sonatas

The 32 Sonatas, like milestones, serve as distinct trails throughout Beethoven's career of musical composition. This selection is a must for piano players and a necessity for appreciation of music. To study the 32 Sonatas in accordance with his three periods of musical composition will enable us to better understand each of his works. Due to limited space, the thesis is supposed to give an exploreration to his earlier works. It could be summarized that, at the earlier stage of his sonatas composing, of which Pathetique is the greatest success, he gradually formed and established his own style by inheriting the styles of Haydn and Mozart.