| 平等与拯救——论本雅明的复制技术理论 |
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| 引用本文： | 朱翠凤.平等与拯救——论本雅明的复制技术理论[J].连云港职业技术学院学报,2013(4):43-46,79. |
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| 作者姓名： | 朱翠凤 |
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| 作者单位： | 山东大学,山东济南250100 |
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| 摘 要： | 论文结合了影响本雅明极深的马克思主义及弥赛亚拯救情结分析本雅明强调艺术技术在艺术生产关系中的重要地位的原因。法西斯主义者借助灵韵发动了战争美学，无产阶级也可以借助复制技术实现艺术政治化。复制技术在历史发展过程中成为传播艺术的重要手段，它不仅可以使人们开始享受艺术、社会、政治上的平等关系，也可以推动艺术的大众化，实现对人类社会的集体拯救。
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| 关 键 词： | 本雅明 艺术技术 进步 矛盾 拯救 |
Equality and Salvation-Replication Technologies on Benjamin |
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| Institution: | ZHU Cui - feng (Shandong University, Jinan 250100,China) |
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| Abstract: | The paper made an analysis of reasons why Benjamin emphasized the importance of art in art production relations, combined with salvation complex of Marxism and the Messiah affecting Benjamin deeply. Fascist enhanced aesthetics in waging war while proletarian art politics can also be achieved by copying technique. Replication technology in the course of historical development became an important means of art communication, which not only enabled people to enjoy art, social equality, political relations, or you can promote the popularity of the arts to achieve collective salvation to human society. |
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| Keywords: | Benjamin art technology progress contradictions salvation |
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