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中国古代文人画散论
引用本文:阳先顺.中国古代文人画散论[J].衡阳师范学院学报,2001,22(1):134-137.
作者姓名:阳先顺
作者单位:衡阳师范学院美术系,
摘    要:王维开山水画中借物咏情之先河,将“禅境”、“诗境”融注到山水画里,从而实现了传统美学中“天人合一”的审美境界;山水画“以形媚道”,游于山水,达自然之性情,这是对道的体认与感悟;“逸品”是文人追求精神超脱的载体。

关 键 词:文人画  老庄哲学  逸品
文章编号:1002-073X(2001)01-0134-04
修稿时间:2000年11月26

On Ancient Chinese Scholar Paintings
Yang Xianshun.On Ancient Chinese Scholar Paintings[J].journal of Hengyang Normal University,2001,22(1):134-137.
Authors:Yang Xianshun
Abstract:Wang Wei is the pioneer who makes use of thing to chant the Passions in his landscapes, He mixes "the plight of zen and poem" together with his landscapes, thus in the conventional aesthetics he achieves such a state of appreciation of the beautiful as to the perfect harmonious naturt and human being. His landscapes show the essential feelings in the form of mountains and waters,expressing the original nature. Namely it is the savvy and perception of Taoist. Unused painting works are the carrier of the spiritual detachment for which the scholars are seeking.
Keywords:scholar paintings  phi1osophy of Laozi and zhuangzi  Unusual painting works
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