| 由中国文人画看莱辛、黑格尔"诗画异质论"之局限性 |
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| 引用本文： | 沈刚.由中国文人画看莱辛、黑格尔"诗画异质论"之局限性[J].湖州师范学院学报,2002,24(2):37-40. |
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| 作者姓名： | 沈刚 |
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| 作者单位： | 绍兴文理学院,中文系,浙江,绍兴,312000 |
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| 摘 要： | 莱辛、黑格尔将绘画的构成材料（媒介）看成是物质性的，它诉诸人的视觉，而将诗的构成材料看成是精神性的，它诉诸人的想象，并由此得出诗比画的表现面更为广阔，诗比画更优越的结论。莱辛、黑格尔的观点不能用以分析作为异质文化背景下的中国的文人画、因为中国文人画 的表现目的、欣赏手段、语言材料都是精神性的。
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| 关 键 词： | 莱辛 黑格尔 绘画 精神 |
| 文章编号： | 1009-1734(2002)00-0037-04 |
| 修稿时间： | 2002年1月25日 |
On the Limitations of "Heterogeneous Theory Between Poetry and Painting" |
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| SHEN Gang.On the Limitations of "Heterogeneous Theory Between Poetry and Painting"[J].Journal of Huzhou Teachers College,2002,24(2):37-40. |
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| Authors: | SHEN Gang |
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| Abstract: | Lessing and Hegel regarded the components of painting (media) as material whereas those of poetry as spiritual and induced a theory that poetry expresses wider than and is superior to painting since the former involves one' s imagination. Opinions that their theory cannot be employed to analyze Chinese paintings of man-of-letters because all of those expressing techniques, appreciation angles and text organizations belong to the spiritual category. |
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| Keywords: | Lessing Hegel painting spirit |
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