| 承传与消解:古典诗学视野中的诗格论 |
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| 引用本文： | 胡建次. 承传与消解:古典诗学视野中的诗格论[J]. 内江师范学院学报, 2006, 21(3): 68-72 |
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| 作者姓名： | 胡建次 |
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| 作者单位： | 复旦大学,中文系,上海,200433 |
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| 摘 要： | 我国古典诗学视野中的诗格论,主要在四个维面上展开:一是对“格”作为诗歌审美之本的标树;二是对诗格审美特征与要求的探讨;三是对诗格创造与生成的考察;四是对诗歌“格调”之论的理论反思。古典诗学视野中诗格论的展开与发展历程,鲜明地呈现出承传、提升与消解的特征。
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| 关 键 词： | 古典诗学 诗格论 展开与发展 特征 |
| 文章编号： | 1671-1785（2006）03-0068-05 |
| 收稿时间： | 2005-10-31 |
| 修稿时间： | 2005-10-31 |
Handing Down and Dispelling: a Discussion on Chinese Poetical Meters in View of Ancient Poetry |
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| HU Jian-ci. Handing Down and Dispelling: a Discussion on Chinese Poetical Meters in View of Ancient Poetry[J]. Journal of Neijiang Teachers College, 2006, 21(3): 68-72 |
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| Authors: | HU Jian-ci |
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| Abstract: | The discussion on Chinese poetical meters in view of ancient poetry is carried on mainly in four aspects: the first is a parade of the meter as the root of poetic aesthetic;the second,a probe into its aesthetic characteristics and requisition;the third,an inspection of its creation and production; the fourth,introspection on the poetical meter theory.Its expansion and development in view of ancient poetry clearly show the characteristics of handing down,promoting and dispelling this theory. |
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| Keywords: | ancient poetry poetical meter theory expansion and development characteristics |
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