| 泠泠清音 趣味澄夐——解读司空图《诗品》之“实境”风格论的隐深意义 |
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| 引用本文： | 杨芙蓉,朱桦.泠泠清音 趣味澄夐——解读司空图《诗品》之“实境”风格论的隐深意义[J].黄冈师范学院学报,2008,28(5). |
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| 作者姓名： | 杨芙蓉 朱桦 |
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| 作者单位： | 广东技术师范学院,广东广州510665 |
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| 摘 要： | 司空图《诗品》之《实境》是反对当时的格律丽偶、绮缛错采的风尚,主张以直目所寻的方式追求平实之中见深邃意境的风格论。司空图在落脚于现实生活的基础上,接受道家之“虚空”的思想从而形成“自然”的审美观,又以佛家的“现观”思维方式来实现即景会心的真切自然风格特征。其《实境》既是对诗歌表现手法及语言的描述,更是以风格论而张目,也是司空图“思与境偕”审美主张的又一体现。
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| 关 键 词： | 《实境》风格 自然 平实 深邃 儒道释思想 |
An Understanding of Theories about Style in SiKong tu's Siping |
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| YANG Fuyong,ZHU Hua.An Understanding of Theories about Style in SiKong tu's Siping[J].Journal of Huanggang Normal University,2008,28(5). |
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| Authors: | YANG Fuyong ZHU Hua |
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| Institution: | YANG Fuyong,ZHU Hua (Guangdong Polytechnic Normal University,Guangzhou 510665,Guangdong) |
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| Abstract: | SiKong tu put forward his theories about style against the classical poetic composition and advocated a style of realistic representation.On basis of real life,on one hand,he accepted the Daoism and took his natural perspectives,on the other,he followed the Confucious ways of thinking and presented realistic style. |
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| Keywords: | style nature Daoism Confucianism |
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