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谐谑与游戏--试论宋元南戏谐谑表演的审美意义
引用本文:李双芹. 谐谑与游戏--试论宋元南戏谐谑表演的审美意义[J]. 乐山师范学院学报, 2004, 19(4): 1-5
作者姓名:李双芹
作者单位:武汉大学,文学院,湖北,武汉,430072
摘    要:在南戏中存在着大量以调笑逗乐为目的的谐谑表演,这类谐谑表演具有较强的即兴表演性,这是由观众的主体地位以及谐谑表演为观众所喜闻乐见的内容和形式所决定的。这种即兴表演性促使演员自觉地打破舞台幻觉和观众进行交流,让南戏演出常常处于一种变动不拘的状态之中,从而呈现出极强的游戏品性,而这正是艺术的本质所在。

关 键 词:南戏 谐谑表演 审美意义 宋朝 元朝 游戏精神
文章编号:1009-8666(2004)04-0001-05
修稿时间:2003-11-11

Banter and Game——Study of the Aesthetic Connotation of Bantering Performance in the South Drama
LI Shuang-qin. Banter and Game——Study of the Aesthetic Connotation of Bantering Performance in the South Drama[J]. Journal of Leshan Teachers College, 2004, 19(4): 1-5
Authors:LI Shuang-qin
Abstract:There are a lot of bantering performances in the South Drama.The bantering performances of The South Drama have the quality of ad-lib.This was decided by the spectators' status of principal part and the bantering performances' contents and forms which be familiar to the spectators.This qual-ity of ad-lib spurred actors to communicate with spectators by breaking illusion of stage and made the performance of The South Drama staying in changing state.This is just the essence of art.
Keywords:The South Drama  bantering performance  game
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