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现代美学的转型与美学危机
引用本文:董岭,戴薇. 现代美学的转型与美学危机[J]. 广东教育学院学报, 2001, 21(4): 63-66,69
作者姓名:董岭  戴薇
作者单位:暨南大学中文系,暨南大学汉语系 博士生广东广州,510000,广东广州,510000
摘    要:从美学史和艺术史的考察可以发现 ,在整个西方艺术史上 ,艺术惯例发生过几次大的突变 ,以至于用传统的“美”和“审美”的概念已经完全不能概括整个现代艺术的功能特点了。在面对艺术功能发展的不平衡性及艺术功能模式的现代转换时 ,美学似乎成了第一个 ,也是最大的牺牲品。现代美学的转型过程造成了美学的危机。美学危机的两个重要表征 ,即美学研究对象的泛化及术语使用上的混乱都出现了

关 键 词:艺术风格  艺术惯例  不平衡性  美学危机
文章编号:1007-8754(2001)04-0063-04
修稿时间:2001-05-15

The unbalanced development of art function and aesthetic crisis
DONG Ling ,DAI Wei. The unbalanced development of art function and aesthetic crisis[J]. Journal of Guangdong Education Institute, 2001, 21(4): 63-66,69
Authors:DONG Ling   DAI Wei
Affiliation:DONG Ling 1,2DAI Wei
Abstract:With the special perspective of the research of the aesthetics' history and the art's history, we can find that the art's convention have changed so much in the whole western art's history that the conventional conception of Beauty and Aesthetic couldn't define all functions of the modern art any more. The aesthetics becomes the first and the biggest sacrifice when it is faced with the unbalanced development of art's function. The transfer of the modern aesthetics causes the aesthetic crisis when the two important signs of the aesthetics crisis, the general expounding of the object of aesthetics researching and the babelism of the terms' usage, appear.
Keywords:style  art's convention  unbalanced perspective  aesthetic crisis
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