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审美先在机制与文艺的市民神话
引用本文:任真. 审美先在机制与文艺的市民神话[J]. 廊坊师范学院学报, 2011, 27(2): 6-8
作者姓名:任真
作者单位:四川大学,文学与新闻学院,四川,成都,610064
摘    要:在当代社会,消费不仅作为一种推动资本有效运行的模式,更多地也作为一种文化现象而存在。消费社会审美机制的先在性表现在三个方面,即物品的数量、技术理念以及消费符号所指的先在性,这些先在性是形成消费压力、调动消费欲望的机制性策略。而为市民营造神话的文艺作品在很大程度上就是依据这种先在机制的方向运行的。

关 键 词:消费社会  审美  先在性  所指

The Mechanism of Aesthetic Priority and the Mass Myth of Literature
REN Zhen. The Mechanism of Aesthetic Priority and the Mass Myth of Literature[J]. Journal of Langfang Teachers College, 2011, 27(2): 6-8
Authors:REN Zhen
Affiliation:REN Zhen (School of Literature and News, Sichuan University, Chengdu Sichuan 610064, China)
Abstract:The consumption in modern society is viewed not only as an effective operation mode of capital but on a larger scale as some kind of cultural phenomenon. The priority of aesthetics in this consumption society lies in the following points: the priority of quantity of objects, of the notion of techniques, and of the signified of symbols. All these priorities comprise the mechanism strategy of forming consuming motive and arousing the consuming desire. While literary, and artistic works which produce myths for citizens run its course according to this mechanism of priority.
Keywords:consuming society  aesthetics  priority  signified
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