深刻的总结 坚稳的奠基——1947年台湾“新写实主义”论争

194 7-1 94 8年间 ,发生在台湾文学界的关于“新写实主义”论争 ,是对日本军国主义推行“皇民化”殖民文化的历史清算。陈映真、曾健民发掘、整理并出版一批资料 ,以历史的本来面目与现实会面。从中可以看到 :新写实主义的理论原则 ,是和批判现实主义、新现实主义、社会主义现实主义以及后来由毛泽东提出和确定的革命现实主义与革命浪漫主义相结合的新中国文学的创作原则相一致的 ;每一个参与论争的人都毫无疑义地肯定 ,从领土所属到文化精神 ,到文学发展之路 ,台湾都是中国的一部分。论争中 ,两岸文学交流是一个重要议题 ,许多参与者都发表了见解 ,两岸作家积极地付诸实践并取得了显著成果。这场论争对继承祖国五四新文学传统 ,继承台湾日据时期新文学的革命传统和确立台湾文学的发展方向 ,有着根本性的奠基意义。

The Argument about the Neo-Realism of Taiwan in 1947

From the year 1947 to 1948, the argument about the neo-realism in the literary circle in Taiwan was a historic exposure and criticizing of the colonial culture of Mikado's citizens. Chen Ying-zhen and Zeng Jian-min found, sorted out and published a series of materials to make the history face the reality, from which can be seen that the theoretical principles of the neo-realism is in accordance with the critical realism, neo-realism, socialist realism and the creation principles of revolutionary realism and revolutionary romanticism set up and put forward by Mao Ze-dong. Everyone participating in the argument affirmed undoubtedly that from ownership of the territory to the cultural spirit and the way of the literary development, Taiwan is part of China. In the argument, an important topic was the literary communications between both sides of Taiwan Strait, a lot of participants expressed their own opinions, and the writers on both sides of the strait actively practiced and achieved a great deal. The argument has a great significance for carrying out the heritage of the neo-literature of the May 4th Movement and the revolutionary heritage of neo-literature during the period when Taiwan was occupied by the Japanese invaders, as well as for determining the direction of the literature of Taiwan.