| 解读郭平小说中的"对偶" |
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| 引用本文： | 刘芳.解读郭平小说中的"对偶"[J].南京师范大学文学院学报,2006(4):111-118. |
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| 作者姓名： | 刘芳 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210097 |
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| 摘 要： | 在郭平的许多小说中都或隐或显地呈现出一种独特的“对偶美学”韵致,包括言语层面的对偶、结构安排的对偶、形象设计的对偶;在文本之间以及文本内的各叙事要素之间呈现为一种对称、对立,却又相互映衬、相互补足的状态,通过对话的方式,共同建构着一个和谐完整的文本。
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| 关 键 词： | 郭平 小说 对偶美学 |
| 文章编号： | 1008-9853(2006)04-111-08 |
| 收稿时间： | 09 18 2006 12:00AM |
| 修稿时间： | 2006年9月18日 |
A Study on Antithesis in Guo Ping's Novels |
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| Liu Fang.A Study on Antithesis in Guo Ping''''s Novels[J].Journal of Chinese Language and Culture School Nanjing Normal University,2006(4):111-118. |
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| Authors: | Liu Fang |
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| Abstract: | Obviously or not,there was a particular charm of "aesthetics of antithesis" in many novels of Guo Ping,including the antithesis on the level of language,the writing structure,and the design of images.Among the textures and the narrative factors in the textures,these kinds of antithesis were in a situation of mutual symmetry,mutual contradiction,mutual contrast and mutual complement.Through a way of dialogue,they set up a harmonious and complete texture together. |
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| Keywords: | Guo Ping novel aesthetics of antithesis |
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