| 应感论 |
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| 引用本文： | 胡经之,李健.应感论[J].南京师范大学文学院学报,2006(2):61-66. |
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| 作者姓名： | 胡经之 李健 |
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| 作者单位： | 深圳大学,文学院,广东,深圳,518026 |
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| 摘 要： | 应感是应物生感,是文学艺术创作中的感发现象。它“不以力构”,但隐含着艰苦的涵养功夫。它最终以“风飞雷起”的轰轰烈烈呈现,显示了巨大的创造价值。应感的表现是自然的,它的自然性体现在“随物赋形”上。情与景则是激发应感的因素。
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| 关 键 词： | 应感 不以力构 随物赋形 |
| 文章编号： | 1008-9853(2006)02-061-06 |
| 收稿时间： | 04 20 2006 12:00AM |
| 修稿时间： | 2006年4月20日 |
On the Theory of Feeling Aroused by Objective Reality |
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| Hu Jingzhi,Li Jian.On the Theory of Feeling Aroused by Objective Reality[J].Journal of Chinese Language and Culture School Nanjing Normal University,2006(2):61-66. |
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| Authors: | Hu Jingzhi Li Jian |
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| Institution: | Hu Jingzhi & Li Jian |
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| Abstract: | In the literary and artistic creation,the phenomenon of feeling aroused by objective reality,with self-restraint contained vaguely,could not be formed by physical strength.At last,it appears on a grand and spectacular scale like a thunderstorm bursting over the earth,revealing great creative value.Its manifestation is natural,because its form is determined by the movement of objective reality,and the circumstance is a stimulant to this phenomenon. |
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| Keywords: | feeling aroused by objective reality not be formed by physical strength its form is determined by the movement of objective reality |
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