| 现代文学研究视野的拓展与再拓展 |
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| 引用本文： | 彭耀春. 现代文学研究视野的拓展与再拓展[J]. 江苏广播电视大学学报, 2005, 16(4): 51-53 |
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| 作者姓名： | 彭耀春 |
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| 作者单位： | 江苏警官学院,江苏,南京,210012 |
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| 摘 要： | 20世纪80年代以来，中国现代文学研究视野至少在三个方面得到显著拓展：首先是时间视阈的拓展；其次是空间视阁的拓展；第三是由雅文学向俗文学拓展。开辟第四种拓展，即现代文学四种文体之间的贯通以及向电影拓展，和从传媒视角展开的“报章研究”，开始受到重视并收获了初步的成果。
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| 关 键 词： | 现代文学 研究视野 四种拓展 |
| 文章编号： | 1008-4207(2005)04-0051-03 |
| 收稿时间： | 2005-01-09 |
| 修稿时间： | 2005-01-09 |
The Exploitation of Perspective in the Study of Chinese Modern Literature |
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| PENG Yao-chun. The Exploitation of Perspective in the Study of Chinese Modern Literature[J]. Journal of Jiangsu Radio & Television University, 2005, 16(4): 51-53 |
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| Authors: | PENG Yao-chun |
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| Abstract: | Since the 1980s,the perspective in study of Chinese Modern Literature has been exploited in 3 directions:firstly in the perspective of time,secondly in the perspective of space,thirdly from the pure literature to the popular literature. Now it has turned to another direction of exploitation, that is to research the connections between the 4 literature genres,and even expand to the realm of movie making and mass media research. This new trend has been emphasized and some primary results have been produced. |
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| Keywords: | Chinese modem literature perspective in study four exploitations |
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