重建的诗美——以卞之琳《断章》为例谈古诗意象的现代转变

中国古代诗歌与中国新诗都注重意象的运用，中国新诗也常常借用古典意象来表达诗人的情思。新诗中古典意象的运用遵循古诗的审美原则，然而在意象的内涵、作用以及用法上却又与古诗的意象有所不同。新诗中的古典意象与古诗中的意象相比，不重视固定意义而重视彼此间的联系，不追求“立象以尽意”而追求“具体化的感觉”，不从“兴象”中显现“隐”的含义而用词语对意象进行限制。

Beauty of Poem in Poetry Reconstruction

Ancient Chinese poetry and modem Chinese poetry all value the application of images, with the latter usually expressing poets＇ emotion by classical images. The application of classical image follows the aesthetic principals of ancient Chinese poetry in modern Chinese poetry, but it is different form images in ancient Chinese poetry in terms of connotation, function and usage. The classical images in modern Chinese poetry pays no attention to fixed connotation of images but their relationship to each other; they don＇t pursue ＂to express by image＂ but ＂concrete feeling＂; and they don＇t clarify ＂obscurity＂ by ＂Xing Xiang＂ but to limit image by words.