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略论咏梅诗的文化意蕴
引用本文:陈小芒,廖文华. 略论咏梅诗的文化意蕴[J]. 闽江学院学报, 2003, 24(6): 23-26
作者姓名:陈小芒  廖文华
作者单位:赣南师范学院中文系,江西,赣州,341000
摘    要:梅意象的建立,既是一种社会历史的演进,又是一种化传统的渗透。六朝是咏梅诗的初兴期,唐朝是咏梅诗的成熟期.宋朝则是咏梅诗的巅峰期。梅意象与中国传统的道德化相互结合,表现出一种不随流俗的品格和坚贞傲岸的精神,历代咏梅诗作又是中国传统贬谪化的综合反映。

关 键 词:咏梅诗 梅文化 意象 道德文化 中国
文章编号:1009-7821(2003)06-023-04
修稿时间:2003-09-26

A Brief Remark of Cultural Connotation of Plum Chanting Poems
CHEN Xiao-mang LIAO Wen-hua. A Brief Remark of Cultural Connotation of Plum Chanting Poems[J]. Journal of Minjiang University, 2003, 24(6): 23-26
Authors:CHEN Xiao-mang LIAO Wen-hua
Abstract:The establishing of the imagery of plum is not only a process of social history evolving, but also a course of cultural tradition penetrating. The plum chanting poems sprang up from the Six Dynasties, matured in Tang Dynasty, and peaked in Song Dynasty. The reciprocal combination of the imagey of the plum and the Chinese traditional ethic culture reflects a character of no conventional pattern and a spirit of remaining faithful and unyielding. The plum chanting poems of successive dynasties are also a comprehensive reflection of Chinese traditional derogating culture.
Keywords:plum chanting poems  the imagery of plum  culture of plum
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